„BREVILOQUENZA COMPONISTICA“ – ROBERT SCHUMANN AND „FRAUENLIEBE UND LEBEN“ (PART III)

Authors

  • Claudia POP Transylvania University of Braşov, Faculty of Music. E-mail: pop.claudia@yahoo.it

Keywords:

Lieder, poetry, music notes

Abstract

Robert Schumann, one of the most famous Romantic composers of the first half of the nineteenth century, by his lieder Frauenliebe und Leben made me to feel and to want also, to send this personal reflection of music that addresses the heart of the women to those to whom I’ve extended the positive leaven to approach this music so special: the lied. Driven by the success in singing these lieder by Robert Schumann I decided to behave like a true pedagogue and delimit into the entire study (which contains eight parts), three very important things necessary to approach this genre:

  1. to present the poetic content that harmoniously combines the poetry with the precise notes entered;
  2. to develop sensitivity, understanding of the poetic text;
  3. to introduce some voice technical means necessary to approach these lieder.

References

Adam, Jean-Pierre, Archaeology between truth and humbug, Bucureşti, 1978.

Fiske, John, Introduction to the study of communication, Polirom, 2003

Ladmiral, J. - Lipianski, E., La communication interculturelle, Armand Colin, 1989

Miege, Bernard, Thinking communicational, Editura Cartea Românească, 1998

Pavel, Toma, Fragments about words, Editura pentru Literatură, Bucureşti, 1968

Schumann, Robert, From Davidienilor’s chronicles, Editura Muzicală a Uniunii Compozitorilor, Bucureşti, 1972

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Published

2010-12-30

How to Cite

POP, C. (2010). „BREVILOQUENZA COMPONISTICA“ – ROBERT SCHUMANN AND „FRAUENLIEBE UND LEBEN“ (PART III). Studia Universitatis Babeș-Bolyai Musica, 55(2), 139–144. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9009

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