“PIANO GAMES” BY EDUARD TERÉNYI, A LANDMARK AMONG THE SEMEIOGRAPHIC INNOVATIONS OF THE 20ᵀᴴ CENTURY

Abstract

The piano creation of the composer Eduard Terényi sums up the composing experiences that are derived from successive conceptual accumulations that are enlisted in the complex process of the transformations and makings of the artistic language of the twentieth century music. The novelty of his musical works comes in this way through a total reviewing of the way of organizing of the sonorous substance where frequently the sonorous parameters seems to be freed by the rigours of the traditional conventions. The innovative attitude both in a semi graphic area and also into the depths of the sonorous view prove that the author prefigures a composing trajectory from the modernism and not from the tradition that explains why the tools that he uses to operate on are, in many respects a surprise.