“CHORD MATRICE” IN THE MUSICAL ART OF AUREL STROE
Keywords:
modernity, music, symbol, contemporaryAbstract
The last three concerts composed by Aurel Stroe are a further proof of his compositional maturity. The third concert proposes the ideal model of the “chord-matrices”, a symbol that we have to reveal in the spiritual dimensions of Aurel Stroe’s music.
References
Andreescu, Ioan, Origini spirituale în arhitectura modernă (Spiritual origins in modern architecture), Paideia Ed., Bucharest, 2000.
Boutot, Alain, Inventarea formelor (Inventing forms), Nemira Ed., Bucharest, 1996.
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Published
2011-06-30
How to Cite
COROIU (MĂNIUŢ), P.-M. (2011). “CHORD MATRICE” IN THE MUSICAL ART OF AUREL STROE. Studia Universitatis Babeș-Bolyai Musica, 56(1), 235–238. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8938
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