Microanalysis of a Music Therapy Session Segment with An Autistic Child

Authors

DOI:

https://doi.org/10.24193/subbmusica.2023.2.10

Keywords:

Music therapy, autism, communicative musicality, microanalysis, attunement, psychology.

Abstract

The following microanalysis helps analyze an essential aspect of a music therapy session with a child diagnosed with autism. This detailed analysis highlights how essential music is in this little girl’s life, both in expression and communication. Microanalysis in music therapy aims to critically analyze the therapy process, focusing even on the smallest elements from a musical and therapeutic view. The music therapy sessions with this client and the analysis are based on the theory of communicative musicality developed by Trevarthen and Malloch. Just as Malloch argues that communicative musicality between mother and infant has three essential parts - pulse, timbre, and narrative - so it is observed that the analyses of the segments chosen were based on these principles. The narrative of the musical interaction between the client and therapist points to the fact that it expresses innate motives for sharing emotion and experience with other people and creating meaning in shared activity. It allows two people to share a sense of passing time and to create and share the emotional framework that evolves through this shared time.

Author Biographies

Mirjám BORZÁSI, University of the West of England, Bristol, United Kingdom, mirjam.borzasi@emanuel.ro

Mirjám BORZÁSI is currently studying Music Therapy at the UWE, Bristol, in the UK. She finalized her studies in Music Pedagogy at the Emanuel University of Oradea in 2014 and achieved her master’s degree in musical art in 2016 at the same University. She has taught music for six years, qualifying as a Music Education and Musical Theoretical Studies teacher in 2020. Orcid Nr. 0009-0000-9153-7599.

Catherine WARNER, University of the West of England, Bristol, United Kingdom, catherine.warner@uwe.ac.uk

Catherine WARNER, Dr, is the program leader for the MA Music Therapy and the MA Therapeutic Music Studies and a senior lecturer at UWE. She has been practicing music therapy for over 25 years and has also worked as a professional cellist. Dr. Warner’s research interests are broad, and she is passionately interested in the journey of the trainee music therapist and beyond qualification. Her team has recently established the first supervision training course in music therapy, which can be taken as part of the MA Therapeutic Music Studies or as a stand-alone CPD. She is currently supervising Margaret Grady in her Ph.D. research project exploring music therapy for carers and people with dementia. Also, Dr. Warner represents UWE as a collaborative partner of Emanuel University, where both partners are working to develop music therapy training and to promote an understanding of music therapy practice and theory in Romania.

Lois VĂDUVA, Emanuel University of Oradea, Nufarului 87, Romania, lois.vaduva@emanuel.ro

Lois VĂDUVA, Dr, is a University Reader in the music department at Emanuel University of Oradea. Her main research topics are the relationship between music and the socio-political context and music therapy. Dr. Vaduva coordinated four grants through which the professors and students from the Music Department of Emanuel University conducted music, art, and play therapy sessions with hospitalized children diagnosed with chronic progressive illnesses. She finalized her studies in Music Therapy at The University of The West of England, Bristol, U.K in 2021, and obtained her Habilitation at the National Academy of Music “Gh. Dima” in 2023.

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Published

2023-12-30

How to Cite

BORZÁSI, M., WARNER, C., & VĂDUVA, L. (2023). Microanalysis of a Music Therapy Session Segment with An Autistic Child. Studia Universitatis Babeș-Bolyai Musica, 68(2), 141–153. https://doi.org/10.24193/subbmusica.2023.2.10

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