THE CONDUCTOR - BETWEEN HEARING AND LISTENING

Aurel MURARU

THE CONDUCTOR - BETWEEN HEARING AND LISTENING

Authors

Aurel MURARU Faculty of Social and Human Sciences, Departament of Social and Human Sciences, Spiru Haret University, Bucharest, Romania. E-mail: aurelmuraru@yahoo.com

Keywords:

musical hearing, conductor, musical performance.

Abstract

The conducting activity operates with two specific types of auditory attention – on one hand, the attention designed to correct potential errors that may occur in the musical text, and, on the other hand, the auditory attention that is specific to the performing process, in itself. The present endeavour aims at emphasizing the characteristics of the conductor’s musical hearing, as well as its defining role in the art of conducting.

References

Barenboim Daniel, A Life in Music, Humanitas Publishing House, Bucharest, 2015.

Celibidache Sergiu, On the Phenomenology of Music, Spandugino Publishing House, Bucharest, 2012.

Golcea Ioan, The Aphoristic Thinking of Maestro Petre Crăciun, in the volume In Memoriam Petre Crăciun, The Publishing House of the National University of Music, Bucharest, 2014.

STUDIA UBB MUSICA, Volume 61 (LXI), No. 1, June 2016

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Published

2016-06-30

How to Cite

MURARU, A. (2016). THE CONDUCTOR - BETWEEN HEARING AND LISTENING. Studia Universitatis Babeș-Bolyai Musica, 61(1), 153–156. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5128