THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS
DOI:
https://doi.org/10.24193/subbmusica.2022.spiss2.04Keywords:
Vasilije Mokranjac, piano compositions, stylisticAbstract
Vasilije Mokranjac can be seen as a paradigm for an entire generation of Serbian composers who started creating at an unfavourable historical moment. In time, he moved away from his initial stylistic ideas, and, by constant transformation of his practically neoclassical style, he created a heterogeneous work. He dealt most intensely with piano music and, as a result, he contributed the most, both quantitatively and qualitatively, to this area.References
Branka, Bugariska. “Al niente: The last opus of Vasilije Mokranjac: After a quarter of a century”, Muzikologija, no. 9, 2009.
Medić Ivana, Vasilije Mokranjac, music for piano. National Library of Serbia, Belgrade, 2004.
Mikić Vesna. “Different types of modernism/neoclassicism by Dušan Radić, Belgrade”, Journal of the Musicological Institute of the Serbian Academy of Sciences and Arts, 2006.
Peričić Vlastimir, Portrait of the artist - Vasilije Mokranjac, Ed. Pro Musica, Belgrade, 1968.
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2022-12-20
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TOTAN, V., & COROIU, P.-M. (2022). THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS. Studia Universitatis Babeș-Bolyai Musica, 67(Special Issue 2), 51–64. https://doi.org/10.24193/subbmusica.2022.spiss2.04
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