A BRIEF HISTORY OF THE SONATA FORM (I) THE BAROQUE SONATA
DOI:
https://doi.org/10.24193/subbmusica.2020.1.05Keywords:
Baroque, Sonata form, analyses, D. Scarlatti, C. Ph. E. Bach.Abstract
In this short study, we aim to define the typologies of the sonata form in the music of the Baroque period, alongside the perspective of some well-known authors (Charles Rosen, James Webster or William Newman) and to propose two analyses – the Sonata in G minor, K. 450 composed by D. Scarlatti and part I from the Sonata in A major, Wq. 55/4 by C. Ph. E. Bach. An interesting point of this study is the connection and the transition from the monothematic sonata form to the bithematic sonata form.References
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Bach Carl Philipp Emanuel, Harvard Library Bulletin, Volume 24, Number 3, 2013 https://iiif.lib.harvard.edu/manifests/view/drs:432981704$5i
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Newman S. William, The Sonata in the Baroque Era (Third Edition), W. W. Norton & Company, New York.
Rosen Charles, Sonata Forms, W.W. Norton & Company (First Edition), New York, London, 1927.
Teodorescu-Ciocânea Livia, Tratat de Forme și Analize Muzicale (Treaty of Musical Forms and Analyses), Ediție revizuită, Grafoart, București, 2014.
Webster James, Sonata form, electronically-accessed source through The Musical Encyclopaedia Oxford Music Online, https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000026197
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