Some Marks in Marcel Iancu’s Creation

Authors

  • Călin STEGEREAN Muzeul de Artă Cluj-Napoca (Cluj-Napoca Museum of Art), e-mail: stecalin@yahoo.com

Keywords:

Avant-garde, Dadaism, Constructivism, Contimporanul.

Abstract

The paper emphasises some aspects of Marcel Iancu’s creation during his dadaist period in Zürich and after his return in Romania where he was one of avant-garde movement leaders and author of some important theoretical articles.

Author Biography

Călin STEGEREAN, Muzeul de Artă Cluj-Napoca (Cluj-Napoca Museum of Art), e-mail: stecalin@yahoo.com

CĂLIN STEGEREAN. Graduated the Fine Arts Institute from Cluj-Napoca. Master degree in cultural management at European Studies Faculty of Babeş-Bolyai University, Cluj-Napoca. PhD in philology at Babeş-Bolyai University from Cluj-Napoca with the dissertation entitled The Fine Arts and the Interwar Avant-guard Magazines. Director of the Art Museum Cluj-Napoca (2009-2014) and deputy-president of the National Museums’ Network (2010-2014). He is member of the Imaginary Research Centre of Babeş-Bolyai University and collaborates with articles at Observator Cultural, Steaua, Tribuna, Ziarul de Duminică, Arta magazines. He won the National Prize “Petru Comarnescu” of the Romanian Culture Minister for the exhibition “The Avant-guard from Romania in Cluj’s collections”.

References

DICKERMAN, Leah, “Zurich.” In Dada, 16-44. Washington: National Gallery of Art Publishing Office, 2006. Print.

IANCU, Marcel, “Noţiuni utile.” Meridian 2 (1934): 9-10. Print.

IANCU, Marcel, “Pour le métier.” Punct 13 (1925): 1. Print.

IANCU, Marcel, “Stil nou: arhitectura.” Contimporanul 48 (1925): 2. Print.

IANCU, Marcel, “Însemnări de Artă.” Contimporanul 45 (1924):7-8. Print.

IANCU, Marcel, “Note de pictură.” Contimporanul 4 (1922): 13-14. Print.

PEYRÉ, Yves, “Marcel Janco, Gravures et reliefs.” In DADA, catalogue publié sous la direction de Laurent Le Bon à l’occasion de l’exposition DADA, 536-539. Paris: Éditions du Centre Pompidou, 2005. Print.

VLASIU, IOANA, “Idei constructiviste în arta românească a anilor ’20: integralismul.” In Bucureşti, anii 1920–1940: între avangardă şi modernism, 41-44. București: Simetria Publishing House, 1994. Print.

STUDIA UBB DRAMATICA, Volume 61 (LXI), No. 1, March 2016

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Published

2016-03-30

How to Cite

STEGEREAN, C. (2016). Some Marks in Marcel Iancu’s Creation. Studia Universitatis Babeș-Bolyai Dramatica, 61(1), 133–140. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbdramatica/article/view/4499

Issue

Volume 61, No. 1, March 2016

Section

Articles

License

Copyright (c) 2016 Studia Universitatis Babeș-Bolyai Dramatica

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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