Concept paradoxal de « collective creation » dans l’avant-garde française: le rôle du groupe dans la création artistique

Authors

Keywords:

collective creation, avant-garde, Dada, surrealism, situationism.

Abstract

Paradoxical Concept of Collective Creation in French Avant-Garde: the Role of the Group in Artistic Creation. This paper analyzes the importance of the group and of collective creation in the case of historical avant-garde not only from a social or a political point of view, but from an aesthetical one. The starting point is Tristan Tzara’s formula: “I write in order to search for people.” We will focus on many examples: Dada, surrealism, situationism, trying to underline the fact that for the members of these groups, the dialogue and the exchanges were as important as individual experiences in the artistic process.

Author Biography

Margarita BALAKIREVA, IMLI / HSE (Moscou), margaritabalakireva@yahoo.fr

MARGARITA BALAKIREVA is a PhD student at the Gorki Institute for Universal Literature (Russian Academy of Sciences), under the supervision of E. Galtsova. She teaches at the Faculty of Letters HSE (Moscow). Her publications focus on matters such as the language, the myth and the audience of surrealism. Currently, she works on the perceptive practices and their evolution in the surrealist movement of the 20s and 30s, as well as on the collective creation in Breton’s group. She prepares a theory on the surrealist reader and on the ornament-text.

References

BRETON André, Second manifeste du surréalisme, Paris, Pauvert, 1962.

BRETON André, Manifestes du surréalisme, Paris, Gallimard, 1966.

BRIDEL Y., Miroirs du surréalisme : essai sur la réception du surréalisme en France et en Suisse française (1916-1939), Lausanne, L’Âge d’Homme, 1988.

BRUN E., « “L’avant-garde totaleˮ. La forme d'engagement de l’Internationale situationniste », in Actes de la recherche en sciences sociales, n° 176-177, 2009, pp. 32-51.

BURGER M., Les manifestes : paroles de combat. De Marx à Breton, Paris, Delachaux et Niestlé, 2002.

DEBORD Guy, Correspondances, vol. 2, Paris, Fayard, 2001.

DEBORD Guy, « Rapport sur la construction des situations et sur les conditions de l’organisation et de l’action de la tendance situationniste internationale », Inter : art actuel, Numéro 44, supplément, été 1989, pp. 1-11.

LAUTREAMONT, Les chants de Maldoror, Paris, Le Livre de Poche, 2001.

TZARA Tristan, Œuvres complètes, Paris, Flammarion, 1975.

STUDIA UBB DRAMATICA, Volume 61 (LXI), No. 2, October 2016

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Published

2016-10-28

How to Cite

BALAKIREVA, M. (2016). Concept paradoxal de « collective creation » dans l’avant-garde française: le rôle du groupe dans la création artistique. Studia Universitatis Babeș-Bolyai Dramatica, 61(2), 141–154. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbdramatica/article/view/4539

Issue

Volume 61, No. 2, October 2016

Section

Articles

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Copyright (c) 2016 Studia Universitatis Babeș-Bolyai Dramatica

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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