Witch(craft) Subversion in Live Events (Performance Art) in Croatia: From Art to Everyday Praxis
DOI:
https://doi.org/10.24193/subbdrama.2020.1.06Keywords:
witch(craft) subversion, cat-iconogram, live events, performance art, Croatia.Abstract
This paper offers an interpretative review of artists on the Croatian scene who use in their actions and performances the strategy of ‘witchcraft performance’ as matrix of subversion of the existing model of ‘desirable appearance’, as performative deviation from the desirable image of womanhood, but also as a kind of decision to express protest and subversion. Some women artists, like Neda Šimić-Božinović and Xena L. Županić, alongside the performance of witchcraft subversion, are also united by the voco-performance with which they approximate animal vocalisation as the source of logos.References
Cohen, Alina. “Why Artists Have Been Enchanted by Witchcraft for Centuries.” Accessed December 19, 2019. https://www.artsy.net/article/alina-cohen-artists-enchanted-witchcraft-centuries.
Čekada, Tajči. “In memoriam. Umjetnica anti modnoga i glazbenog performansa.” Zarez, 22 February 2016. http://www.zarez.hr/clanci/in-memoriam-umjetnica-anti-modnoga-i-glazbenog-performansa.
Đorđević, Tihomir R. Veštica i vila u našem narodnom verovanju i predanju. Kragujevac: Narodna biblioteka Srbije, Dečje novine, 1989 (1953).
Đurić, Dubravka. Politika poezije. Tranzicija i pesnički eksperiment. Beograd: AŽIN, 2010.
Federici, Silvia. Caliban and the Witch: Women, the Body and Primitive Accumulation. Brooklyn, New York: Autonomedia, 2004.
Federici, Silvia. “The Great Witch-Hunt in Europe.” In Extravagant Bodies: Extravagant Age: Inspiring Old Ages – body and mind on the fringes of social norm, edited by Kontejner | bureau of contemporary art praxis, 119-99. Zagreb: Kontejner, 2013.
“A few things you need to know about Maleficent.” Accessed December 19, 2019. https://starcasm.net/what-is-maleficent/
Judah, Hettie. “How Witchcraft Continues to Cast its Spell on Artists’s Magical Thinking.” Accessed December 19, 2019, https://frieze.com/article/how-witchcraft-continues-cast-its-spell-artistss-magical-thinking.
Iveković, Sanja. “Isn’t She Too Old for That? – On Witches.” Accessed December 19, 2019. https://www.kontejner.org/en/projekti/ekstravagantna-tijela/ekstravagantna -tijela-ekstravagantne-godine-2/izlozba-8/nije-li-ona-prestara-za-to-o-vjesticama.
Iveković, Sanja. “Drugarice vještice.” Accessed December 1, 2019. http://www.eurokaz.hr/v3/projects/drugarice-vjestice
Kalogjera, Ivana. “Poznati Hrvati dio su grupe hrvatskih vještica.” Accessed August 1, 2019. https://www.express.hr/life/poznati-hrvati-dio-su-grupe-hrvatskih-vjestica-7802
Kamenjarin, Nina. “Biti s jedne i s druge strane.” Plesna scena, accessed December 1, 2019. https://www.plesnascena.hr/index.php?p=article&id=2368.
Majcen, Olga. “Ksenija Kordić, Avatar.” Accessed July 8, 2019, http://www.kgz.hr/hr/dogadjanja/ksenija‐kordic‐avatar/18409.
Marjanić, Suzana. “Witches’ Zoopsychonavigations and the Astral Broom in the Worlds of Croatian Legends as (Possible) Aspects of Shamanistic Techniques of Ecstasy (and Trance).” Studia Mythologica Slavica no. 9 (2006): 169-202, doi: https://doi.org/10.3986/sms.v9i0.1733.
Marjanić, Suzana. “The Mythic Cyborgs of Croatian Oral Legends and the Fantasy Genre.” Studia Mythologica Slavica no. 14 (2011): 87-106, doi: https://doi.org/10.3986/sms.v14i0.1601.
Marjanić, Suzana. Kronotop hrvatskoga performansa: od Travelera do danas. Zagreb: Udruga Bijeli val, Institut za etnologiju i folkloristiku, Školska knjiga, 2014.
Marjanić, Suzana. “Vokoperformansi – Neda Šimić-Božinović i Xena L. (Loredana) Županić: glumice i umjetnice performansa.” In Krležini dani u Osijeku 201. Redatelji i glumci hrvatskoga kazališta. Prvi dio, edited by Martina Petranović, Boris Senker, Anamarija Žugić, Anamarija, 201-12. Zagreb, Osijek: Zavod za povijest hrvatske književnosti, kazališta i glazbe HAZU, Odsjek za povijest hrvatskog kazališta, Zagreb, Hrvatsko narodno kazalište u Osijeku, Filozofski fakultet, Osijek, 2018.
Moć Žene: Katalin Ladik, Retrospektiva 1962–2010 (The Power of a Woman: Katalin Ladik, Retrospective 1962–2010), edited by Miško Šuvaković, Dragomir Ugren and Gabriella Schuller. Novi Sad: Muzej savremene umetnosti Vojvodine, 2010.
Schuller, Gabriella. “O performansima Katalina Ladik.” In Moć Žene: Katalin Ladik, Retrospektiva 1962–2010 (The Power of a Woman: Katalin Ladik, Retrospective 1962–2010), edited by Miško Šuvaković, Dragomir Ugren and Gabriella Schuller, 252–61. Novi Sad: Muzej savremene umetnosti Vojvodine, 2010.
Tisdall, Caroline and Angelo Bozzolla. Futurism. London: Thames and Hudson, 1989.
Valerjev Ogurlić, Nela. “Neda Šimić Božinović – cvijet riječkog performansa. In memoriam.” Novi list, http://www.novilist.hr/Kultura/Neda-Simic-Bozinovic-cvijet-rijeckog-performansa “Witches of Rio”. Accessed December 19, 2019. http://slavenkadrakulic.com/women-memory-on-the-witches-from-rio/
Zika, Charles. “Sticks.” In Encyclopedia of Witchcraft. The Western Tradition 4, edited by Richard M. Golden, 1086-7. Santa Barbara, Denver and Oxford: ABC-CLIO, 2006.
Županić, Xena L. (Loredana). Yztok Zapada. Labin: Own Edition, 2014.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Studia Universitatis Babeș-Bolyai Dramatica
![Creative Commons License](http://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.