Perpetuation or Decline? The German Theatre in Sibiu at the Turning Point 1918

Authors

  • Ursula WITTSTOCK Faculty of Letters, Babeș-Bolyai University, Cluj-Napoca, Romania. uwittstock@gmail.com

DOI:

https://doi.org/10.24193/subbdrama.2018.1.10

Keywords:

Transylvania, German theatre, 19th century, Leo Bauer, theatrical conventions, cultural transfer

Abstract

The present paper focuses on the German theatre in Sibiu at the turning point of the year 1918. It first examins the context of the theatre within the Habsburg monarchy, its settings and the networking with other German-speaking theatres. Then it presents Leo Bauer as the long-standing director of the German theatre in Sibiu, switching to the overthrow of the theatre and its chances of survival within the new boundaries after the proclamation of the union of Transylvania with Romania.

Author Biography

Ursula WITTSTOCK, Faculty of Letters, Babeș-Bolyai University, Cluj-Napoca, Romania. uwittstock@gmail.com

URSULA WITTSTOCK is a Teaching Assistant at the Department of German Language and Literature of the Faculty of Lettres, Babeş-Bolyai University, Cluj, Romania. Her main research interests include the history of German theatre in Romania, theatre – press relations and cultural transfers.

References

Neuer Theater-Almanach. Theatergeschichtliches Jahr- und Adressenbuch. Berlin: F.A. Günther 1.1890 – 25.1914.

Siebenbürgisch-Deutsches Tageblatt. Hermannstadt/Sibiu 1893-1924.

[H.T.S.], ”Theater und Theaterverein in Hermannstadt”. Ostland. Monatsschrift für die Kultur der Ostdeutschen I, 3rd issue, (August 1919).

DOERRY, Hans. Das Rollenfach im deutschen Theaterbetrieb des 19. Jahrhunderts. Berlin: Selbstverlag der Gesellschaft für Theatergeschichte, 1926.

Eisermann, Judith. Josef Kainz – Zwischen Tradition und Moderne. München: Utz Verlag, 2010.

HENTSCHEL, Anja. ”Mobilitätsforschung und Theatergeschichte: Zur Mobilität von Schauspielern im 19. Jahrhundert”. in Aktuelle Tendenzen der Theater-geschichts¬forschung. Berlin: Gesellschaft für Theatergeschichte, (1996), 55-72.

Jekelius, Ernst. ”Das deutsche Theater in Hermannstadt 1874-1924”. in Siebenbürgisch-Deutsches Tageblatt. LI, (1.01.1924).

Linhardt, Marion. ”Kunstwissenschaft vs. performative Stereotypen?” in Zeit/Sprünge. Zu Aspekten des Performativen, Theatralen, Pädagogischen, Medialen und Rhetorischen im 19. Jahrhundert, edited by Nicole Haitzinger and Claudia Jeschke. München: epodium, 2007, 107-122.

MARX, Peter W. ”Consuming the Canon: Theatre, Commodification, and Social Mobility in Late Nineteenth-Century German Theatre”. in Theatre Research International 31, 2 (2006): 129-144.

MITTERBAUER, Helga. ”Dynamik-Netzwerk-Macht. Kulturelle Transfers „am besonderen Beispiel“ der Wiener Moderne. in Ent-grenzte Räume. Kulturelle Transfers um 1900 und in der Gegenwart”. edited by Helga Mitterbauer and Katharina Scherke. Wien: Passagen Verlag, 2005, 109-130.

THER, Philipp: In der Mitte der Gesellschaft. Operntheater in Zentraleuropa 1815-1914. Wien [et. al.]: Oldenburg, 2006.

STUDIA UBB DRAMATICA, Volume 63 (LXIII), No. 1, March 2018

Downloads

Published

2018-03-30

How to Cite

WITTSTOCK, U. (2018). Perpetuation or Decline? The German Theatre in Sibiu at the Turning Point 1918. Studia Universitatis Babeș-Bolyai Dramatica, 63(1), 193–204. https://doi.org/10.24193/subbdrama.2018.1.10

Issue

Volume 63, No. 1, March 2018

Section

Articles

License

Copyright (c) 2018 Studia Universitatis Babeș-Bolyai Dramatica

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Similar Articles

<< < 10 11 12 13 14 15 16 17 18 19 > >> 

You may also start an advanced similarity search for this article.