The Evolution of the Milicier Film Genre in Communist Romania

Authors

  • Ion INDOLEAN Faculty of Theatre and Television, Babeş-Bolyai University, Cluj-Napoca, Romania. Ion.indolean@gmail.com

DOI:

https://doi.org/10.24193/subbdrama.2017.2.09

Keywords:

Cultural politics, Film, Nicolae Ceauşescu, Communism, Espionage, Industry, Censorship, Propaganda

Abstract

In order to observe the manner in which the image of the Romanian militiaman is perpetuated throughout the movies produced during Nicolae Ceauşescu’s regime (1965-1989) we will analyze the most important detective films of that period. This will allow us to recognize a series of characterological and professional attributes present in the protagonists of these narratives which claimed to have come from reality. All of these heroes are shrewd, tenacious and well-intentioned because the official propaganda wanted to deliver a certain beautified image of the Romanian agent, about whom these films suggested having the mental and physical capabilities to be successful against any kind of villain and therefore being able to protect his country with a great sense of duty and commitment.

Author Biography

Ion INDOLEAN, Faculty of Theatre and Television, Babeş-Bolyai University, Cluj-Napoca, Romania. Ion.indolean@gmail.com

Ion Indolean has BA and MA in Film Studies and is a Ph.D. candidate with a thesis about film on contemporary subjects produced in Communist Romania. Writes for various cultural Romanian newspapers and collaborated with Astra Sibiu, TIFF and Comedy Cluj Film Festivals. Directed the feature film Discordia that won the debut prize at TIFF in 2016 and was nominated at GOPO Awards in 2017.

References

Alexandrescu, Mircea. “Să vorbim cu durere despre comedie”, review of B.D. la munte şi la mare by Nicolae Țic, Mircea Drăgan, directed by Mircea Drăgan, Studioul Cinematografic Bucureşti, Buftea, premiered on December 20, 1971. Cinema, January 1972.

Boldea, Iulian. “Cenzura şi teatrul”, Apostrof, October 2009.

Burakowski, Adam. Dictatura lui Nicolae Ceauşescu 1965-1989. Iaşi: Polirom, 2016.

Comşa, Dan. “Cercul magic”, review of Cercul Magic by Nicolae Mărgeanu, Cora Vulcănescu, directed by David Reu, Casa de filme Patru, 1975. Cinema, August 1975.

Pivniceru, Constantin. Amintiri din actualitate. 50 de ani de cinematografie în România. Bucureşti: Tritonic, 2012.

Shelley, Louise. Policing Soviet Society: The Evolution of State Control. New York: Routledge, 1996.

Șercan, Emilia. Cultul secretului. Mecanismele cenzurii în presa comunistă. Iaşi: Polirom, 2015.

Suchianu, Dumitru. Ion, “B.D. la munte şi la mare”, review of B.D. la munte şi la mare by Nicolae Țic, Mircea Drăgan, directed by Mircea Drăgan, Studioul Cinematografic Bucureşti, Buftea, premiered on December 20, 1971. România literară, January 13, 1972.

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Published

2017-10-31

How to Cite

INDOLEAN, I. (2017). The Evolution of the Milicier Film Genre in Communist Romania. Studia Universitatis Babeș-Bolyai Dramatica, 62(2), 161–171. https://doi.org/10.24193/subbdrama.2017.2.09

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