Performing the Self & Staging Agency

Authors

DOI:

https://doi.org/10.24193/subbdrama.2022.2.07

Keywords:

self-representation, performative theatre, agency, feminism, divergence, empowerment, pedagogy of care.

Abstract

When I feel like crying it’s political is a performance created through devised techniques, combining director-driven dramaturgy with content generated by the actresses-performers, in a process shifting the role of the director into one of a curator. Centered on self-representation, the work proposes a frame for empowerment while approaching sensible themes, such as the hierarchy of power in theatrical contexts (vocational schools and professional theatres) and the objectification of female performers. This paper contextualizes the concept and artistic process of the work, while proposing a work model based on care and owning differences.

Author Biography

Monica Olivia GRECEA, Faculty of Theatre and Film, Babeș-Bolyai University, Cluj-Napoca, Romania. olivia.grecea@ubbcluj.ro

OLIVIA GRECEA is an independent theater director. Since 2016 she teaches Directing at the Faculty of Theatre and Film (Babeș-Bolyai University, Cluj-Napoca). She is the author of Devised Theater. Utopia, Tool and Political Theater (Eikon, 2017). Her artistic work includes play-based and devised productions in state theaters and with the independent company Reactor de Creație și Experiment. Her main artistic and research interests are performativity, performative theatre and collaborative practices.

References

Baumgardner, Jennifer and Amy Richards. Manifesta. Young Women, Feminism and the Future. New York: Farras, Strass and Giroux, 2000.

Dotson, Kristie. “Tracking Epistemic Violence, Tracking Practices of Silencing.” Hypatia 26, no. 2 (2011): 236-57. http://www.jstor.org/stable/23016544.

Doza, Christine. “Bloodlove”. In Listen Up: Voices from the Next Feminist Generation, edited by Barbara Findlen, 40-47. Seal Press, 1995.

Findlen, Barbara. “Introduction”. In Listen Up: Voices from the Next Feminist Generation, edited by Barbara Findlen, xiii-xvii. Seal Press, 1995.

Hațiegan, Anca. Dimineața actrițelor. Iași: Polirom, 2019.

Heddon, Dee. “The Politics of the Personal: Autobiography in Performance”. In Feminist Futures? Theatre, Performance, Theory, edited by Elaine Aston and Geraldine Harris, 130-148. Palgrave Macmillan, 2006.

Henry, Astrid. “Feminism’s Family Problem: Feminist Generations and the Mother-Daughter Trope”. Catching a Wave. Reclaiming Feminism for the 21st Century, edited by Rory Dicker, Alison Poepmeier, 139-153. Northeastern University Press, 2003.

Manne, Kate. Entitled: How Male Privilege Hurts Women. Penguin Books, 2021.

Rankine, Claudia. Just Us. An American Conversation. Graywolf Press, 2020.

Online sources

When I feel like crying it’s political performance recording:

https://www.youtube.com/watch?v=tdYXKjIA_To&t=705s

Post performance Q&A recording:

https://www.youtube.com/watch?v=BNOQslgr3lg

Downloads

Published

2022-11-30

How to Cite

GRECEA, M. O. (2022). Performing the Self & Staging Agency. Studia Universitatis Babeș-Bolyai Dramatica, 67(2), 111–121. https://doi.org/10.24193/subbdrama.2022.2.07

Issue

Section

Articles

Similar Articles

<< < 6 7 8 9 10 11 12 13 14 15 > >> 

You may also start an advanced similarity search for this article.