Mixing Techniques: Between Technical Precision and Artistic Intent

Authors

  • Marc Alexandru TINT PhD Student, Transilvania University of Brasov, Faculty of Music, Corpul Z, Sirul Metropolit Andrei Saguna 2, Brasov, 500123, Romania. E-mail: marc.tint@unitbv.ro https://orcid.org/0009-0006-4189-5076
  • Stela DRĂGULIN Professor PhD, Transilvania University of Brasov, Faculty of Music, Corpul Z, Sirul Metropolit Andrei Saguna 2, Brasov, 500123, Romania. E-mail: steladragulin@yahoo.com https://orcid.org/0000-0002-4814-1705

DOI:

https://doi.org/10.24193/subbmusica.2025.1.20

Keywords:

music production, mixing techniques, commercial appeal, emotional impact, genre, sonic identity

Abstract

Mixing is a critical phase in music production, defining a track’s sonic character and commercial appeal. Engineers employ EQ, compression, saturation, reverb, and automation to shape the final sound, adapting techniques to each genre’s distinct requirements. Pop music prioritizes vocal clarity, autotune, and harmonic layering, while rock relies on dynamic contrast, distortion, and analogue warmth. Jazz and folk emphasize natural acoustics with minimal processing, whereas electronic and dance music demand precise bass control and rhythmic cohesion. Industry leaders like Dave Pensado, known for innovative digital processing, and Stuart White, recognized for his efficiency and depth, exemplify the diverse approaches to mixing. Michael Brauer’s multi-bus compression technique highlights the blend of technical precision and artistic intuition. As genres evolve, mixing continues to adapt, ensuring music remains both commercially competitive and emotionally compelling.

References

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9. Tingen, Paul. “Secrets of the Mix Engineers: David Pensado”. Sound on Sound, 2007, https://www.soundonsound.com/techniques/secrets-mix-engineers-david-pensado (accessed 14 March 2025).

10. Tingen, Paul. “Secrets of the Mix Engineers: Michael Brauer”. Sound on Sound, 2008, https://www.soundonsound.com/techniques/secrets-mix-engineers-michael-brauer (accessed 14 March 2025).

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Published

2025-06-30

How to Cite

TINT, M. A., & DRĂGULIN, S. (2025). Mixing Techniques: Between Technical Precision and Artistic Intent. Studia Universitatis Babeş-Bolyai Musica, 70(1), 301–311. https://doi.org/10.24193/subbmusica.2025.1.20

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