GIUSEPPE VERDI’S MACBETH – PART II.

Authors

  • Júlia KÖPECZI KIRKÓSA Babeş-Bolyai University, Faculty of Reformed Theology, Musical Pedagogy Departement, RO–400174 Cluj-Napoca, Horea str. 7. E-mail: kir_kor_sah@yahoo.com

Keywords:

drama, music, Macbeth, psyche, guilt

Abstract

In part two, we continue the analysis of one of Verdi’s most complex operas - Macbeth, and try to immerse ourselves in the creative genius of the composer, who has managed to utterly as well as beautifully marry music and drama to shed some light on the intricacies of the human spirit.

References

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Bourgeois, Jacques, Giuseppe Verdi, Editura Eminescu, Bucureşti, 1982

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Escudier, L., Lettres inedites de G. Verdi (Unedited Letters of Giuseppe Verdi), Rivista Musicale Italiana, Milano, 1928

Gatti, Carlo, Verdi, Mondadori, Milano, 1951

Komár, P. – Vadas, L, Verdi vállogatott levelei (Verdi’s Chosen Letters) Zeneműkiadó Vállalat, Budapest, 1956

Luzio, A., Carteggi verdiani, I – IV (Verdi’s Correspondence), Cogliati, Roma, 1935-47; Profili biografici e bozzetti storici II, Milano, Cogliati, 1927

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Monaldi, G., G. Verdi, Bocca, Milano, 1951

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Pongin, A., Vita Aneddotica di G. Verdi, (The Anecdotic Life of G. Verdi), Ricordi, Milano, 1881

Solovţova, L., Giuseppe Verdi, Editura Muzicală Uniunii Compozitorilor, Bucureşti, 1960

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Published

2010-06-30

How to Cite

KÖPECZI KIRKÓSA, J. (2010). GIUSEPPE VERDI’S MACBETH – PART II. Studia Universitatis Babeș-Bolyai Musica, 55(1), 117–130. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8959

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