MAURICE RAVEL: KLAVIERKONZERT IN G-DUR (ANALYSE DES ZWEITEN SATZES „ADAGIO ASSAI”)
Keywords:
Ravel, Piano-concerto, analysisAbstract
In the first part consists of the origins as well as the afterlife of the piece. Ravel worked on his two piano concertos (G-major and D-major) at the same time starting in 1929. Ravel himself intended to premiere the piece; finally Marguerite Long played it due to the composers’ lack of pianistic technique. The second part is an analysis of the second movement of the concerto. A formal and harmonic analysis is being followed by the orchestral analysis and an explanation to the piano solo.References
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