GOLDEN ERA OF BAROQUE DANCE

Authors

  • Alina BERCU Pianist, PhD student of the Transilvania University of Brașov, Faculty of Music, E-mail: alina.bercu@gmail.com

DOI:

https://doi.org/10.24193/subbmusica.2021.2.05

Keywords:

baroque dance, Louis XIV, dance notation systems, ballet de cour, royal academies, Jean-Baptiste Lully, music, opera.

Abstract

The reign of Louis XIV marks an important milestone in the development of dance and art. Convinced that visual arts and music would significantly contribute to a monarch’s authority, image, and glory, the “Sun King” coordinated artistic activities through establishing a significant number of royal academies. Through the Académie Royale de Danse the art of dancing was given a proper language and notation system for the first time in history. On the other hand, the Académie Royale de Musique was tied to the birth of a national operatic style. Opera was the perfect tool for an idealistic and majestic projection of a nation’s monarch.

Rezumat. EPOCA DE AUR A DANSULUI BAROC. Domnia lui Ludovic al XIV-lea marchează o etapă importantă în dezvoltarea dansului și a artei. Convins că artele vizuale și muzica vor contribui semnificativ la autoritatea, imaginea și gloria unui monarh, "Regele Soare" a coordonat activitățile artistice prin înființarea unui număr semnificativ de academii regale. Prin intermediul Academiei Regale de Dans, arta dansului a primit, pentru prima dată în istorie, un limbaj și un sistem de notație adecvate. Pe de altă parte, Academia Regală de Muzică a fost legată de nașterea unui stil liric național. Opera era instrumentul perfect pentru o proiecție idealistă și maiestuoasă a monarhului unei națiuni. 

Cuvinte cheie: dans baroc, Ludovic al XIV-lea, sisteme de notație a dansului, balet de cour, academii regale, Jean-Baptiste Lully, muzică, operă.

References

Garlick, Fiona. Dances to Evoke the King: The Majestic Genre Chez Louis XIV, Dance Research: The Journal of the Society for Dance Research, Edinburgh University Press, 1997.

Harris-Warrick, Rebecca. Magnificence in Motion: Stage Musicians in Lully’s Ballets and Operas, Cambridge Opera Journal, Cambridge University Press, 1994.

Harris-Warrick, Rebecca. Dance and Drama in French Baroque Opera: A History, Cambridge University Press, 2016.

Hilton, Wendy. Dances to Music by Jean-Baptiste Lully, Early Music, Oxford University Press, 1986.

Isherwood, Robert M. The Centralization of Music in the Reign of Louis XIV, French Historical Studies, Duke University Press, 1969.

Needham, Maureen. Louis XIV and the Académie Royale de Danse, 1661. A Commentary and Translation, Dance Chronicle, 1997, Vol. 20, No. 2 (1997), Taylor & Francis, Ltd.

Perrault, Charles. Mémoires, contes et autre oeuvres, Paris, 1882.

Pierce, Ken. Dance Notation Systems in Late 17th-Century France. Early Music. Oxford University Press, 1998.

The Oxford Dictionary of Dance. Oxford University Press, 2010.

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Published

2021-12-30

How to Cite

BERCU, A. (2021). GOLDEN ERA OF BAROQUE DANCE. Studia Universitatis Babeș-Bolyai Musica, 66(2), 69–78. https://doi.org/10.24193/subbmusica.2021.2.05

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