STYLE AS A TOPICAL CATEGORY OF MODERN MUSICOLOGY AND MUSIC EDUCATION

Authors

  • Nataliya GOVORUKHINA Professor, PhD of Musicology, Kharkiv I.P. Kotlyarevsky National University of Arts, 11/13, Maidan Konstytutsii, Kharkiv, 61003, Ukraine, Govorukhina_n46@ukr.net https://orcid.org/0000-0003-3100-9035
  • Tetiana SMYRNOVA Professor, Doctor of Sciences in Pedagogical, Kharkiv I.P. Kotlyarevsky National University of Arts, 11/13, Maidan Konstytutsii, Kharkiv, 61003, Ukraine, Smyrnova. tetianasmyr54@gmail.com
  • Iryna POLSKA Professor, Habilitated Doctor of Art Criticism, Kharkiv State Academy of Culture, 4, Bursatskyi Uzviz, Kharkiv, 61057, Ukraine, tymchpolsk4w3@gmail.com
  • Iryna SUKHLENKO PhD of Musicology, Kharkiv I. P. Kotlyarevsky National University of Arts, 11/13, Maidan Konstytutsii, Kharkiv, 61003, Ukraine, irinasukhlenko356@gmail.com https://orcid.org/0000-0002-1881-6011
  • Ganna SAVELIEVA PhD of Musicology, Kharkiv I. P. Kotlyarevsky National University of Arts,11/13, Maidan Konstytutsii, Kharkiv, 61003, Ukraine, hanna-parfionova@ukr.net https://orcid.org/0000-0003-2078-9152

DOI:

https://doi.org/10.24193/subbmusica.2021.2.04

Keywords:

Style. Category. Art. Musical work. Musicology. Music education. Educational process. Organizational and methodological system

Abstract

The aim of the work is to arrange the scientific achievements on the category of “musical performing style” and identify mechanisms for practical testing of theoretical provisions in the pedagogical activities of higher musical education institutions. The research methodology is based on a combination of general scientific and musicological approaches, in particular: system approach hermeneutic, historical, comparative, genre-style, interpretive method, as well as performance analysis. The results of the study indicate that domestic art schools were formed by synthesizing several national and historical style traditions. Music and performance schools were actively developing in parallel with the compositional work in Ukraine in the second half of the twentieth century; the work of representatives of those schools presents a fairly wide range of style research. A natural result of the studied problem of musical performing style should be its transfer to the practical plane of professional education of musicians and performers, formation of musical style competence in students. Kotlyarevsky Kharkiv National University of Arts was selected as an experimental platform for its formation. During 2019-2021, a pedagogical experiment continued to test the formation of musical and style thesaurus, performance and intellectual skills, professionally important qualities of music students. In the context of studying of different styles in the system of musical performance by the students of higher music education institutions, it is important that the art of music is constantly evolving and new directions and trends in music styles emerge almost every day in Ukraine and the world as a whole. This undoubtedly makes the need for further research on this issue urgent (usually with the use of advanced domestic and foreign experience in music education).

Rezumat. STILUL CA O CATEGORIE DE ACTUALITATE A MUZICOLOGIEI MODERNE ȘI A EDUCAȚIEI MUZICALE. Scopul lucrării este de a ordona realizările științifice privind categoria "stil de interpretare muzicală" și de a identifica mecanismele de testare practică a prevederilor teoretice în activitatea pedagogică a instituțiilor de învățământ superior muzical. Metodologia de cercetare se bazează pe o combinație de abordări științifice generale și muzicologice, în special: abordarea sistemică, metoda hermeneutică, istorică, comparativă, gen-stil, metoda interpretativă, precum și analiza performanțelor. Rezultatele studiului indică faptul că școlile de artă naționale s-au format prin sintetizarea mai multor tradiții stilistice naționale și istorice. Școlile de muzică și de interpretare s-au dezvoltat în mod activ în paralel cu activitatea componistică din Ucraina în a doua jumătate a secolului XX; activitatea reprezentanților acestor școli prezintă o gamă destul de largă de cercetare stilistică. Un rezultat firesc al problemei studiate a stilului de interpretare muzicală ar trebui să fie transferul acestuia în planul practic al educației profesionale a muzicienilor și interpreților, formarea competenței stilului muzical la studenți. Universitatea Națională de Arte Kotlyarevsky Kharkiv a fost selectată ca platformă experimentală pentru formarea acesteia. În perioada 2019-2021, un experiment pedagogic a continuat să testeze formarea tezaurului muzical și de stil, a competențelor de performanță și intelectuale, a calităților importante din punct de vedere profesional al studenților la muzică. În contextul studierii diferitelor stiluri în sistemul de performanță muzicală de către studenții instituțiilor de învățământ superior de muzică, este important faptul că arta muzicală este în continuă evoluție și că aproape zilnic apar noi direcții și tendințe în stilurile muzicale în Ucraina și în întreaga lume. Acest lucru face, fără îndoială, ca necesitatea de a continua cercetările pe această temă să fie urgentă (de obicei, cu utilizarea experienței naționale și străine avansate în domeniul educației muzicale).

Cuvinte cheie: stil, categorie, artă, operă muzicală, muzicologie, educație muzicală, proces educațional, sistem organizatoric și metodologic

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Published

2021-12-30

How to Cite

GOVORUKHINA, N., SMYRNOVA, T., POLSKA, I., SUKHLENKO, I., & SAVELIEVA, G. (2021). STYLE AS A TOPICAL CATEGORY OF MODERN MUSICOLOGY AND MUSIC EDUCATION. Studia Universitatis Babeș-Bolyai Musica, 66(2), 49–67. https://doi.org/10.24193/subbmusica.2021.2.04

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