GETTING FAMILIAR WITH OPERA IN EARLY ADULTHOOD. PERSPECTIVES OF A CREATIVE WORKSHOP

Authors

  • Csilla CSÁKÁNY Department of Reformed Theology and Music, Babeș-Bolyai University, Street Horea nr. 7, Cluj-Napoca, Romania. Email: csilla.csakany@ubbcluj.ro https://orcid.org/0000-0002-6359-8391

DOI:

https://doi.org/10.24193/subbmusica.2026.1.03

Keywords:

Classical music mediation, Familiarity heuristic, Opera, GlosszA workshop, Musical aesthetics

Abstract

This paper investigates how young adults engage with opera, drawing on the author’s two decades of experience in university music education. Opera’s unique emotional and dramatic power appeals broadly, offering a rich interplay of music, text, and theatrical presentation. Generational differences in music listening are highlighted: Generation X favors concerts, recordings, and traditional media, while Generation Z relies on digital streaming, social media, curated playlists, and interactive experiences. Across generations, repeated exposure—central to the “familiarity heuristic”—enhances emotional and cognitive engagement, as demonstrated through examples from Handel, Bach, and Alban Berg. The study also presents the GlosszA workshop, which introduces participants to opera through historical context, performer studies, and creative exercises. By leveraging the familiarity heuristic, the workshop cultivates interpretive skills, critical awareness, and deeper aesthetic appreciation, enabling young audiences to connect more fully with operatic works while fostering lifelong engagement with the genre.

References

***Alban Berg. Írások, levelek, dokumentumok (Alban Berg: Writings, Letters, Documents). Translated by: Péter Várnai. Zeneműkiadó, Budapest, 1965.

*** Music and familiarity. Listening, musicology and performance (ed. Elaine King and Helen M. Prior), Ashgate, 2013.

*** Musicians and their Audiences. Performance, Speech and Mediation (ed. Ioannis Tsioulakis & Elina Hytönen-Ng), Routledge, 2016.

*** Várnai Péter (ed.): Miért szép századunk operája? (Why Is Our Century’s Opera Beautiful?) Gondolat, Budapest, 1979.

Batta András. Opera. Vince Press, Budapest, 2006.

Cairns, David. Mozart és operái (Mozart and His Operas). Park Press, Budapest, 2008.

Csákány Csilla. Az opera ma. Séte az opera stílus- és műfajtörténeti dialektikájában (Opera Today: The Dialectics of Style and Genre in Opera History). Korunk, 2020/1. 36-47.

Desblache, Lucile. Music and Translation New Mediations in the Digital Age. Palgrave Macmillan, 2019.

Hennion, Antoine. The Passion for Music. A Sociology of Mediation. Routledge, 2020.

Pettitt, Stephen: Opera. Képzőművészeti Press, 2007.

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Published

2026-06-26

How to Cite

CSÁKÁNY, C. (2026). GETTING FAMILIAR WITH OPERA IN EARLY ADULTHOOD. PERSPECTIVES OF A CREATIVE WORKSHOP. Studia Universitatis Babes-Bolyai Musica, 71(1), 51–62. https://doi.org/10.24193/subbmusica.2026.1.03

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