La Scène au temps de l’Intelligence Artificelle

Authors

  • Oltița CÎNTEC Theater Faculty of Iași ″George Enescu″ National University of Arts, email: oltitacintec@gmail.com.

DOI:

https://doi.org/10.24193/subbdrama.2022.2.06

Keywords:

Artificial Intelligence, theatre and new technologies, live and virtual performances, online broadcast, virtual set design, immersive theatrical experience.

Abstract

The study makes a theoretical-predictive analysis of the transformations that the use of Artificial Intelligence and new media will generate in a medium time horizon in the theatre arts. Analysing some examples of contemporary creations in performing arts from Romania and other countries, it highlights different types of creativity through specific scenographic choices, dramaturgical compositions and spectator’s involvement, which break the tradition and draw a new horizon of scenic and performative experiences thanks to the intelligent use of new technologies and virtual realities. The directions targeted are aesthetic, professional and following the evolution of the act of reception.

Author Biography

Oltița CÎNTEC, Theater Faculty of Iași ″George Enescu″ National University of Arts, email: oltitacintec@gmail.com.

OLTIȚA CÎNTEC is a theater critic, PhD in Theater Studies, associate professor at the Theater Faculty of Iași ″George Enescu″ National University of Arts, curator of the International Theater Festival for Young Audience (FITPT) and of Iași Luceafărul Theater; her articles and studies have been published in academic, theater and cultural journals and magazines in Romania and abroad; she was part of specialized juries and gave lectures about the Romanian theater in Romania and abroad; she is the author of several books on the theory and recent history of performing arts, some of them award-winning.

References

Baugh, Christopher. Theatre, Performance and Technology. The Development and Transformation of Scenography. Houndmills: Palgrave Macmillan, 2013.

Causey, Mathieu. Theatre and Performance in Digital Culture. From simulation to embeddedness. Routledge, 2006.

Cîntec, Oltița. (coord.) Fereastră către digital. Teatrul și noile tehnologii/Open New Tab. Theatre and New Technology, trad. Carmen Tărniceru și Mircea Sorin Rusu. Iași: Junimea, 2021.

Iacob, Andreea. De la tehnologic la imersiv. Spre un teatru al spectatorului și al spațiului [De technologique à l’immersif. Vers un théâtre du spectateur et de l’espace]. Cluj Napoca: Ed. Eikon et Ed. Școala ardeleană, 2020.

Pop-Curșeu, Ștefana. « La pandémie sur et autour de la scène Roumaine ». La scène mondiale en période de confinement, sous la dir. de Françoise Quillet. Paris : Editions L’Harmattan, coll. Univers théâtral, 2022.

Sitographie :

-https://www.mlml.io/about/

-https://www.revistascena.ro/editorial/performance-ul-este-un-drept-uman-un-manifest-pentru-scena-viitorului

-https://www.draff.net/susanne-kennedy.html

-https://arcub.ro/worker-of-the-year

Downloads

Published

2022-11-30

How to Cite

CÎNTEC, O. (2022). La Scène au temps de l’Intelligence Artificelle. Studia Universitatis Babeș-Bolyai Dramatica, 67(2), 95–110. https://doi.org/10.24193/subbdrama.2022.2.06

Issue

Section

Articles

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