All About Eve – « Les Miroirs d’Eve et au-delà »
DOI:
https://doi.org/10.24193/subbdrama.2021.1.06Keywords:
mirror stage, self, subject, identification, desire.Abstract
All About Eve – Mirrors of Eve and What Lies Beyond. Taking as a starting point the play of identifications in All About Eve, this paper focuses on theatre as a function in the constitution of the feminine subject. Something emerges in the relation between the characters, but also something is produced beyond this relation. The theatre-function is complemented by the scansion introduced by the mirror; the mirror is a place of disjunction on the journey of the subject. Further on, we look at how this theatre-function has a correspondent in the cinematic succession of repeating, enacting and creating in Mohsen Makhmalbaf’s movie Nun va goldoon, which allows its characters to exit the series of identifications.
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