Cognitive, Emotional and Methodological Aspects of Musician-Performer’s Thinking

Authors

  • Vitalіi ZAIETS PhD in Arts, Associate professor, Department of Bayan and Accordion, Ukrainian National Tchaikovsky Academy of Music, Kyiv, Ukraine. Email: zaetsa@ukr.net https://orcid.org/0000-0002-1013-5270
  • Oksana ZAIETS Senior lecturer, Municipal Institution of Higher Education of the Kyiv Regional Council “P. Chubynsky Academy of Arts”, Kyiv, Ukraine. Email: oksanazaets@ukr.net https://orcid.org/0000-0002-8541-7598
  • Oleksandr BENZIUK PhD in Cultural Studies, Associate professor, Department of Bayan and Accordion, Ukrainian National Tchaikovsky Academy of Music, Kyiv, Ukraine. Email: benzyuk@ukr.net https://orcid.org/0000-0001-9556-1203
  • Oleksandr LIHOTSKYI PhD student, Department of Theory and History of Musical Performance, Ukrainian National Tchaikovsky Academy of Music, Kyiv, Ukraine. Email: ligotskij8093@gmail.com https://orcid.org/0009-0004-6399-9752

DOI:

https://doi.org/10.24193/subbmusica.2025.1.15

Keywords:

thinking, cognitive processes, methodology, psychology of creativity

Abstract

SUMMARY. The way of thinking of a performing musician is a complex and multifaceted process that combines rational, intuitive, and emotional aspects. It not only ensures the effectiveness of performing activities, but also determines the artistic depth and individuality of the interpretation of a musical work. Understanding the specifics of performing thinking is important for the formation of a musician’s professional skills as it is carried out through mental processes, interaction with musical material, interpretation of the composer’s idea and emotional and aesthetic connection with the listening audience. The relevance of the study is based on the need for a comprehensive understanding of these aspects in the context of modern performing practice, which allows not only to deepen the theoretical understanding of the specifics of performing thinking, but also to develop practical recommendations for improving the professional skills of musicians.

References

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Published

2025-06-30

How to Cite

ZAIETS, V., ZAIETS, O., BENZIUK, O., & LIHOTSKYI, O. (2025). Cognitive, Emotional and Methodological Aspects of Musician-Performer’s Thinking. Studia Universitatis Babeş-Bolyai Musica, 70(1), 239–248. https://doi.org/10.24193/subbmusica.2025.1.15

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