DIE BEDEUTUNG DER ORGEL IN SIEBENBÜRGEN UND IN ALPENLÄNDERN IM 13.-17. JAHRHUNDERT

Authors

  • Erzsébet WINDHAGER-GERÉD University Lecturer PhD., Babes-Bolyai University, Faculty of Reformed Theology, Music Pedagogy Department; Lutherische Stadtkirche Wien. E-mail: windhagered@gmx.at https://orcid.org/0000-0001-8644-6756

Abstract

The present article has the purpose to present the development of the organ building, parallel with the musical progress in Transylvania and in the Europe between 13th -17th centuries. The first entry about organists is made in 13th century; the record is founded in the archive of the catholic archbishopric in Alba Iulia / Gyulafehérvár. We know also a record from 1429 about the existence of an organ instrument in the “Marien church” (today evangelical church) in Sibiu / Hermannstadt. During this length of time many Transylvanian musicians enraptured with delight towards art spending a while in various sovereigns of Europe. For example: Valentin Bakfark (1507-1576) the famous lutanist; or Daniel Croner (1656-1740) the organist and composer. In fact, the first organ-textbook of the world -“Il Transilvano” by Girolamo Diruta (1561-1610) lis on Transylvanian background.

However, many untouched materials about significant characters -which rather are important for the Transylvanian Music History as for the international scene- is waiting for discovering in the archives of churches and communities to the curiosity of scholars.

References

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Published

2008-06-30

How to Cite

WINDHAGER-GERÉD, E. (2008). DIE BEDEUTUNG DER ORGEL IN SIEBENBÜRGEN UND IN ALPENLÄNDERN IM 13.-17. JAHRHUNDERT. Studia Universitatis Babeș-Bolyai Musica, 53(1), 173–183. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9062

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