THE CREATIVE INDUSTRIES AND THE PROFILE OF CONTEMPORARY ART MUSIC
DOI:
https://doi.org/10.24193/subbmusica.2018.1.04Keywords:
creative industries, contemporary music, accessibility, mindset, entrepreneurship.Abstract
Present-day economies see creativity as a commodity with a complex potential. Cultural industries are strategy elements for regional developments, being encouraged to evolve by accepting social, technological, and political influences. Since present-day art music must become integrated in a financeable system, several acceptability issues rise both from professional musicians, who have to face commercial compromises, and from the consuming public, who complain of the lack of specific educational methods. This article wishes to highlight the importance of creating means of communication between the real need of the public and the products exported by contemporary art music.References
Bălan, Oana Mihaela, The Mystification of Adorno's “Enlightenment” in Music Industries, Studia Universitatis Babes-Bolyai, Musica. Dec. 2016, Vol. 61, Issue 2, p. 115-123.
Khaire, Mukti, Culture and Commerce: The Value of Entrepreneurship in Creative Industries, Stanford Business Books; 1 edition, 2017.
Tschmuck, Peter, Oxford Music Online – “Music Industry”, in https://doi.org/10.1093/gmo/9781561592630.article.A2262804
Tschmuck, Peter The Economics of Music, Agenda Publishing, Newcastle upon Tyne, UK, 2017, p. 21.
https://www.aec-music.eu/polifonia/sub
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Published
2018-06-20
How to Cite
BĂLAN, O. M. (2018). THE CREATIVE INDUSTRIES AND THE PROFILE OF CONTEMPORARY ART MUSIC. Studia Universitatis Babeș-Bolyai Musica, 63(1), 67–75. https://doi.org/10.24193/subbmusica.2018.1.04
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