Volume 64, No. 2, 2019

Articles

• CULTURAL LABOUR AND SOCIAL AWARENESS. HOW ARTS BECOME POLITICAL – A ROMANIAN AND MOLDAVIAN STORY Guest Editors’ Foreword

  Miki BRANIȘTE, Iulia POPOVICI

  7-11

  • pdf

• GENEALOGY OF POLITICAL THEATRE IN POST-SOCIALISM. FROM THE ANTI-“SYSTEM” NIHILISM TO THE ANTI-CAPITALIST LEFT

  David SCHWARTZ

  13-40

  • pdf

• TORTUOUSLY TURNING REALITY INTO THEATRE: THE CASE OF NICOLETA ESINENCU

  Iulia POPOVICI

  41-62

  • pdf

• TRANSFORMING NARRATIVES: REACTION, CONTEXT AND THE EMERGING (IM)-POSSIBILITIES OF SOCIAL DISCOURSE ON ART IN CLUJ-NAPOCA

  Miki BRANIȘTE

  63-84

  • pdf

• CULTURAL WORKERS FROM THE PAINTBRUSH FACTORY. BETWEEN INSTITUTION-BUILDING AND URBAN DEVELOPMENT CHALLENGES

  Marina MIRONICĂ

  85-106

  • pdf

• INTELLECTUAL FIELD, NETWORKS, AND REPUTATION ECONOMY IN ROMANIA AFTER 1989

  Marius LAZĂR

  109-140

  • pdf

• THREE DECADES AFTER. ADVANCING CAPITALISM AND THE (RE)PRODUCTION OF ROMANIA’S SEMI-PERIPHERALITY

  Enikő VINCZE

  141-164

  • pdf

• BOOK REVIEW: “The Neoliberal Subject: Resilience, Adaptation and Vulnerability” by David Chandler and Julian Reid, London: Rowman & Littlefield International, 2016, 210 pages

  Sorin GOG

  167-171

  • pdf