THE ABYSS OF THE CONSCIOUSNESS-TIME WITHIN THE CRYSTAL-IMAGE: KRZYSZTOF ZANUSSI AND WERNER HERZOG
DOI:
https://doi.org/10.24193/subbphil.2018.2.04Keywords:
image, crystal, time, present, past, virtualAbstract
The paper undertakes to analyze the specificity of Gilles Deleuze’s concept of crystal-image in two films: The Structure of Crystal/ Struktura krysztalu (Krzysztof Zanussi, 1969) and Heart of Glass/ Herz aus Glas (Werner Herzog, 1976). The crystal-image offers an insight into the amorphous abyss of consciousness, but it also represents the natural culmination of image in the history of modern cinema. Whereas in Zanussi the crystal of time depicts the figure of the visionary that sees the self-castration of time, the non-actor of Herzog, with a hypnotic gaze and a heart of glass, is the only one capable of seeing the inner being of a landscape.
References
Ronald Bogue, Deleuze on Cinema, Routledge, 2003.
Gilles Deleuze, Cinema 2. The Time-Image, The Athlone Press London, trans. by Hugh Tomlinson and Robert Galeta, 1989.
Werner Herzog, “Interview with Dave Davies” in Fresh Air, National Public Radio, WHYY, Philadelphia, 28 July 2005.
Yann Laporte, Gilles Deleuze, L’épreuve du temps, L’Harmattan, 2005.
Paola Marrati, Gilles Deleuze. Cinema and Philosophy, The Johns Hopkins Univ. Press, 2008, trans. by Alisa Hartz.
Anna Powell, Deleuze, Altered States and Film, Edinburgh Univ. Press, 2007.
*** Deleuze and the Schizoanalysis of Cinema, ed. by Ian Buchanan and Patricia McCormack, Continuum, 2008.
*** Gilles Deleuze: Image and Text, ed. by Eugene W. Holland, Daniel W. Smith and Charles J. Stivale, Continuum, 2009.
*** Herzog on Herzog, ed. by Paul Cronin, Faber and Faber, 2002.
*** The Brain is the Screen. Deleuze and the Philosophy of Cinema, ed. by Gregory Flaxman, Univ. of Minnesota Press, 2000.
FILMOGRAPHY
Struktura krysztalu, Director: Krzysztof Zanussi, 14 October 1969 (Poland), 74 min, Black and White.
Herz aus Glas, Director: Werner Herzog, 17 December 1976 (West Germany), 97 min, Color (Eastmancolor).
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