LIFE WRITING AS RESEARCH CREATION: THE PROJECT DRIFTING, PHUKET TRILOGY 21/22
DOI:
https://doi.org/10.24193/subbphilo.2025.1.10Keywords:
self-fiction, research creation, dance, performing artsAbstract
Life Writing as Research Creation: the Project Drifting, Phuket Trilogy 21/22. This paper addresses the practice of “self-fiction”. It also discusses various stances about the process of “life writing” as an artistic and academic research. The research creation project Drifting/À la dérive (2012-2025) consists of “sensory-scapes” often described in detail. These combine literature, visual arts, and dance. This study focuses on self-fiction within a coherent series of dance videos based on poetics, traveling and performance studies. The study also implies a creative methodology developed in academic setting. The project Drifting, Phuket Trilogy 21/22 was conceived and developed by the author of this paper, Biliana Vassileva, a dancer who has been a university professor (MCF HDR) and researcher since 2009, inspired by “practice as research” approaches to academia.
REZUMAT. Scrierea vieții ca proiect de creație-cercetare: Drifting, Trilogia Phuket 21/22. Această lucrare abordează practica „ficționalizării sinelui”. De asemenea, ea discută o serie de perspective referitoare la procesul de „scriere a existenței” văzută ca o formă de cercetare artistică și academică. Proiectul de creație-cercetare Drifting/À la dérive constă într-o suită de „peisaje senzoriale” adesea descrise în detaliu. Acestea combină literatura, artele vizuale și dansul. Studiul de față se va concentra, așadar, asupra „ficționalizării sinelui” așa cum apare în cadrul unei serii de secvențe video de dans, bazate pe călătorie, poetică și studii de performance artistic. Cercetarea implică, de asemenea, o metodologie creativă, elaborată în mediul academic. Proiectul Drifting, Phuket Trilogy 21/22 a fost conceput și dezvoltat de autoarea acestei lucrări, Biliana Vassileva, dansatoare și conferențiar universitar abilitat, ale cărei cercetări privesc, încă din 2009, abordările de tipul „practice as research” în mediul academic.
Cuvinte-cheie: autoficțiune, cercetare-creație, dans, artele spectacolului
Article history: Received 18 June 2024; Revised 27 February 2025; Accepted 9 March 2025; Available online 25 March 2025; Available print 30 April 2025.
References
Allsopp, Ric and Kristen Kreider. 2015. “On Poetics and Performance.” Performance research 20, no. 1. Oxfordshire: Routledge.
Apollinaire, Guillaume. 1995. “Clotilde.” Alcools. Translated by Donald Revell. Middletown: Wesleyan University Press.
Barthes, Roland. 1975. The Pleasure of the Text. New York: Hill & Wang.
Baudelaire, Charles. 1885. Le peintre de la vie moderne. Paris: Calmann Lévy.
Bolens, Guillemette. 2008. Le style des gestes: corporéité et kinésie dans le récit littéraire. Lausanne: BHMS.
Bruns, Gerald L. 2005. The Material of Poetry: Sketches for a Philosophical Poetics. Athens: U. Georgia Press.
Cahun, Claude. 1930. Aveux non avenus. Paris: Éditions du Carrefour.
Cobbing, Bob. 1999. Shrieks & Hisses. Edited by Nickolas Johnson. Buckfastleigh: Etruscan Books.
Deleuze, Gilles. 2005. Francis Bacon: The Logic of Sensation. Minneapolis: University of Minnesota Press.
Fraleigh, Sondra. 2004. Dancing Identity, Metaphysic in Motion. Pittsburgh: University of Pittsburgh Press.
Godard, Hubert. 2006. “Des trous noirs” with Patricia Kuypers. Nouvelles de danse 53, Bruxelles: Contredanse. 56-75.
Haraway, Donna. 2017. “Making Oddkin: Story Telling for Earthly Survival.”Conference at Yale University, October 23.
Hejinian, Lyn. 2000. The Language of Inquiry, University of California Press.
King, Charles. 2019. Gods of the Upper Air. New York: Doubleday.
Labarthe, André S. 1983. Blue Lady. Film documentary. Arcanal.
Le Roy, Xavier. 2014. CND Conference. Paris.
Louppe, Laurence. 2004. Poétique de la danse contemporaine. Bruxelles: Contredanse.
Massin, Marianne. 2001. Les figures du ravissement. Paris: Grasset.
Nichols, Miriam. 2010. Radical Affections: Essays on the Poetics of Outside. Tuscaloosa: University of Alabama Press.
Pessoa, Fernando. 1982. The Book of Disquiet. Translated by Richard Zenith. London: Penguin Classic.
Rainer, Yvonne. 2013. Feelings Are Facts: A Life (Writing Art). Boston: MIT Press.
Rainer, Yvonne. 2016. CND conference. Paris.
Resina, Joan Ramon. 2019. Inscribed Identities: Life Writing as Self-Realization. London: Routledge.
Rothenberg, Jerome. 1981. “New Models, New Visions: Some Notes Towards a Poetics of Performance.” Pre-faces & Other writings. New York: New Directions: 165-171.
Silvermann, Kaja. 1988. The Acoustic Mirror: the Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press.
Vassileva, Biliana. 2008. “La danseuse chorégraphe Carolyn Carlson à la découverte de l’étrangère-qui-est-en-nous.” Otherness and Identity. Journeys Back to the Self. Bacau: Alma Mater, 35-45.
Vassileva, Biliana. 2019. “Alternative Realities in the Arts or the Impossible Proof of Aesthetic Perception.” The Lincoln Humanities Journal 6, “Alternative Realities: Myths, Lies, Truths, and Half-Truths”. Baltimore Pike: Lincoln University, PA. https://www.lincoln.edu/sites/default/files/pdf/cahss/Lincoln-Humanities-Journal-Vol-6-2018.pdf.
Vassileva, Biliana. 2013. “La notion d’itinérance à travers une performance dansée.” Notions esthétiques: résonance entre les arts et les cultures. Paris: L’Harmattan.
Watson, Julia and Sidonie Smith (eds). 2002. Interfaces. Women, Autobiography, Image, Performance. Ann Arbor: University of Michigan Press.
VIDEO AND DANCE WORKS CITED
Vassileva Biliana. 2018. Research creation project Drifting/À la dérive. https://bilidanse.wixsite.com/website-2.
Vassileva Biliana. 2018. Turkish coffee, 2018 Turkey https://www.youtube.com/watch?v=77aVj9UncdI.
Vassileva Biliana. 2019. Ko Tao, 2019 Thailand https://www.youtube.com/watch?v=6mYuZmFc45Y.
Vassileva Biliana. 2019. Bali Luwak, Ubud, Bali, Indonesia https://www.youtube.com/watch?v=qTqoQ2nDCXk&t=12s.
Vassileva Biliana. 2020. Laos, 2020, Luang Prabang, Laos https://www.youtube.com/watch?v=pwO1-9WREf4.
Vassileva Biliana. 2020. Mekong, 2020, Vientiane, Laos https://www.youtube.com/watch?v=Gk1N9hsf2fM.
Vassileva Biliana. 2020. Klong, 2020, Thailand https://www.youtube.com/watch?v=MlblaxP8FOQ&t=32s.
Vassileva Biliana. 2020. Bali Rain, 2020, Bali, Indonesia https://www.youtube.com/watch?v=aLUyKQ9YupA.
Vassileva, Biliana. 2021. Phuket 2021, Thailand, https://www.youtube.com/watch?v=hl5uxd2yT5A.
Vassileva Biliana. 2021/2022. Phuket 21/ Bangkok 22, Thailand https://www.youtube.com/watch?v=uFcELS0yDMo&t=70s.
Vassileva Biliana. 2022. Asie Sud Est, 2022, Thailand https://www.youtube.com/watch?v=uZQMCnZAZzw&t=5s.
Vassileva Biliana. 2019. Bangkok, 2019, Thailand https://www.youtube.com/watch?v=qcKrjpz1Ct4&t=4s.
Vassileva Biliana, Tiger Guillaume. 2019 InFlux. Paris: Isothesis. https://www.youtube.com/watch?v=BJBcEQiMIKw.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Studia Universitatis Babeș-Bolyai Philologia

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.