POLITICS AND TELEVISION IN ROMANIA
Keywords:
Credibility, influence, editorial independence, media ownership, politics, political communication, public interest, ratings, talk-show, televisionAbstract
Despite the growing concentration of property, political interference and content trivialization, Romanians continue to show a high level of trust in television. Entering the political scene, television gradually put an end to the traditional model of political communication. Relying more and more on the visual impact, politicians became highly preoccupied by their televised image. Many decisions taken by politicians today are tributary to their foreseen reflection in media. Relationship between media and politics is therefore an important factor in comprehending the stakes of the evolution of contemporary democracies. The impact of television upon political players strongly depends on their own self-promoted image. As long as our perception of politicians relies heavily on television, it seems the latter is entitled to reshape the identity of major leaders but also of political parties which tend to develop a clear, easy to understand discourse. A significant number of politicians became TV stars, moving from one TV show to another. Some do not really seem to have any purpose other than being on TV as often as possible. In fact, taking a closer look at the Romanian press, one can often observe the political and economic interests behind the media agenda, far from the public interest. Most people questioned by EUMAP , including the president of the National Council of the Audio-Visual (C.N.A.), responded that televisions in Romania are mainly a tool used to gain influence. The analysis focuses on describing the relationship between politics and television, focusing on how information is being produced, sent and received, the influence of television on society, with special interest on major players.
References
Arachelian V. şi Rad I. 2004, Schimbari în Europa, schimbari în mass-media, Cluj-Napoca, Limes
Balle F. 2005. Médias et société, Paris, Monchrestien
Bignell J. şi Orlebar J. 2009. Manual practic de televiziune, Iaşi, Polirom
Bucy E., Holbert L. 2011, The Sourcebook for Political Communication Research. Methods, Measures, and Analytical Techniques, New York, Routledge
Champagne P. 1998. L‘heure de verite: une emission politique tres representative, Actes de la Recherché en Sciences Sociales, nr. 71-72, Paris
Coulomb-Gully M. 2004. La democractie mise en scene. Television et elections, Paris, CNRS 236
Dobrescu P., Bârgăoanu A. 2002, Puterea fără contraputere, Bucureşti, All
Drăgan I., Cismaru D.(coord.) 2008, Teleromânia în 10 zile, Bucureşti, Tritonic
Drăgan I. 2007. Comunicarea. Paradigme şi teorii, Bucureşti, Rao
Drăgan I.(coord.) 2002, Paradigme sociologice ale culturii, Bucureşti, Tritonic
Edelman, M. 1999, Politica şi utilizarea simbolurilor, Iaşi, Polirom
Hartley J. 1999, Discursul stirilor, traducere de Monica Mitarca, lasi, Polirom
Koegel K. 2002, Marketing şi vânzări pentru media din România – Professional Media Project şi The National Forum Foundation, Washington
Millerson G. 2009, Effective TV Production, fourteenth edition, Focal Press
Mogoş A. 2010. Introducere în mass media, Universitatea Babeş Bolyai Cluj Napoca
Nielsen Media Research. 1997, What TV Ratings Really Mean, New York, Nielsen Media
Postman N. 2006. Amusing Ourselves to Death – Public Discourse in the Age of Showbusiness, London, Penguin Books
Rieffel R. 2008. Sociologia mass-media, Iaşi, Polirom
Rotariu, T. si Iluţ P. (coordonatori) 1996, Sociologie, Cluj-Napoca, Mesagerul
Schwartzenberg, R. G.1995, Statul spectacol, Bucureşti, Scripta
Sigal L.V. 1973 , Reporters and Officials, Washington DC Heath & Comp.
Virilio P. 1995. La vitesse de liberation, Paris, Galilee.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2015 Studia Universitatis Babeș-Bolyai Ephemerides
![Creative Commons License](http://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.