ZAH, Daniel. DECONSTRUCTING CAPITALISM THROUGH MUSIC: A PERFORMER’S PERSPECTIVE ON WEILL AND BRECHT’S ”DIE SIEBEN TODSÜNDEN”. Studia Universitatis Babes-Bolyai Musica, [S. l.], v. 70, n. Special Issue 4, p. 297–307, 2025. DOI: 10.24193/subbmusica.2025.spiss4.19. Disponível em: https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9937. Acesso em: 2 jan. 2026.